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According to media reports, Kapoor relies on her instincts and spontaneity as an actor. She is known to commit heavily to each role, and refrains from rehearsing for a project. Commenting on this, director Rajkumar Hirani said "I usually have a habit of conducting rehearsals for my actors, but she insisted on not having them as it would affect her spontaneity. She really surprised me with a couple of emotional scenes which we canned in just one take." Karan Johar described Kapoor as a "natural", explaining that "she has no craft, grammar or process attached to her acting [...] It is a great sense of cinema that can keep her going." According to Rensil D'Silva (who directed her in Kurbaan), "Kareena [..] is instinctive and has emotional intelligence. She absorbs the situation and performs accordingly. Discussing the scene, in fact, harms her."

While discussing her career highlights in a 2010 article, Rediff.com noted: "[E]ven though a lot of her starring roles have been forgettable, [a] look at her filmography now, however, would show a more thoughtful selection of roles [...] playing to her strengths." Her portrayal of a series of superficial characters at the start of her career were criticized; film historian Gyan Prakash explained that these roles "tended to infantilise her, packaging her as daddy's little girl, all bubble and no fizz". Critics noted Chameli (2004) as her coming of age, claiming that "a new actor in her was discovered".[26] Following her portrayal of a variety of character types in Chameli, Dev (2004), Omkara (2006) and Jab We Met (2007), Kapoor was noted for her versatility. In 2010, Filmfare Magazine included two of her performances—from Omkara and Jab We Met—in its list of "80 Iconic Performances". India Today labelled her "the most versatile female lead in the industry", noting that she "play[s] her roles with trademark spunk"